A TALE

I’ve not been updating this wreck of a blog as much as I’d like due to me being off colour. But as a consolation, here’s a story of mythological times I’ve written and I call it;

MISTAKEN BELIEF

The hunt was in full swing; At the head of the hunt was the king himself, because today was a special day; the prey for today was to be a unicorn.
The men on their horses were merry as they trotted through the greenwood, under a canopy of rich foliage. Soon, they would catch the first unicorn caught in the kingdom. Of course, they knew that catching a unicorn wasn’t easy, they were quick and agile, more mist than animal, and their hooves and horns were deadly. Unless the right bait was lay down they were impossible to catch. They had that bait, in the form of a beautiful virgin. The story went that a unicorn was lulled into a helpless state and came and lay down and lay his head in the lap of a virgin. Which would give the hunters enough chance to attack.
Tonight, they would have their first unicorn! The golden horn would be made into a drinking cup for the royal beverage and the pure white hide into a rug for the royal feet of his majesty. The tail would become a magnificent ceremonial tool fit for a king’s receiving the most powerful guests from across the world.
They came to the place they had prepared. A natural clearing with a large tree almost in the centre. The virgin let her hair down and sat with her back against the tree. The hunters themselves dismounted, tied their horses a little way into the woods out of the way, and hid with their swords and spears and knives and large net.
They didn’t have to wait long. The air itself was alive with silver white mist and forming from it was a golden horn, a pair of almost human-intelligent eyes, a long slender snout, a smooth snow white body ending in a golden coloured tail. The unicorn sniffed the air and pounded his hooves on the ground, cloven hooves, because he wasn’t a horse, he was a unicorn. Then he approached the virgin carefully, every inch of him on edge, quivering, expecting danger.
Then the unicorn visibly relaxed. He came closer to the virgin, closer, and sniffed her hair.
The hunters looked at one another, breathing soft excited smile-breaths. Any second now!
The unicorn came around and bent his front legs lay his weight on them and placed himself so his head was almost on the lap of the virgin. His big eyes misted over.
The hunters came carefully out of the woods. He was helpless! The unicorn was theirs! Etiquette made them stand back and allow the king to strike the killing blow.
The unicorn shifted his head and pushed it gently forward and then with all his strength he used his horn to spear and penetrate the throat of the virgin, causing her to choke, spraying blood all over his fur.
He pulled his horn clear, dripping red, and turned to the hunters who were standing in horror unable to run as the virgin gagged and sighed and died in a lake of her own blood. Using his horn and hooves he set about the men who seconds before were sure he was to die.
The first to die was the king, the horn through his head lifting him off the ground and with a shake of the majestic head he spiralled away with blood whirling after him. The others were trampled and speared by the revenge of the angry unicorn. The slaughter went on for several minutes.
Then, satisfied, shaking his head and letting out a whinnying sound the unicorn turned and trotted back into the words, becoming part of the trees and mist again, gone from sight, leaving the dead and dying and wounded and shocked behind.
The single hunter still standing, splashed with the blood from his fallen comrades, stared in horror at what had happened. Groans and sobs and muffled cries came from the carnage at his feet. He couldn’t believe it. They had done what they had believed was right! They had taken a virgin to lure the unicorn. Now this had happened.
Although he was shocked, he realised that he had learned a lesson that day, as had the other survivors.
There is such a thing as a wrong, a mistaken, belief, and no matter how correct something seems, no matter how often you’ve heard it, it isn’t always so.

THE END

Published in: on 9 October, 2009 at 1:04 am Comments Off

IDEA!

Suppose there was an alternative universe where people were mix-species?
That’s right. Not mixed race. Not like black and white people creating babies, but different species, not mating with one another like lions and tigers or doves and pigeons, but other species intermingling with human beings. For example, you could get those who are cat and human hybrids, or dog and human hybrids. Or even eagle or lizard and human hybrids. And you could get cretins like in our world hating people who are of a different nationality claiming that the mixers were impure because their blood wasn’t totally human. And those who defend the rights of the mixers or half-people.
But why would these mixers have been formed in the first place, given that it’s impossible for two totally different species to reproduce? Well, they could have been gene spliced in labs, made for workers or for full-bloods who want servants and to try experiments on. But they managed to (mostly) gain the same legal rights as full-humans. (Remember, this isn’t this world where it would never happen due to all the ethical concerns, but an alternate universe).
To add a bit of spice to the stew, how about there being some parts of this alternate earth where the mixers or half-people are persecuted and the governments are trying to destroy them and their way of life, and they have to fight back, with weapons, forming freedom groups? Like in Nazi Germany where the Jews who managed to escape being murdered formed partisan groups to kill their oppressors. Or in South Africa during Apartheid. Or the ethnic cleansing period of the 1990’s in Eastern Europe.
It would make a champion story.

Published in: on 25 June, 2009 at 1:02 am Comments Off

HOPES FOR THE FUTURE, PUT POETICALLY

I have had a cold, and soon as I got over it, I tuned my DAB digital radio into the Arrow rock station, turned up the volume, opened my computer word processing program and started typing like someone on a mission. I am all typed out at the moment, but here is a wish I wrote in poem form. (To the tune of Janis Joplin’s ‘Oh Lord Won’t You Buy Me A Mercedes-Benz?’) I wrote it a while back, but I am metaphorically dusting it off and presenting it in this blog anew. It’s called;

A GOOD PUBLISHER

Oh world, can’t you find me a good publisher?
So I can get published and be popular.
I’m always writing but I need some help here,
Oh world, can’t you find me a good publisher?

Published in: on 15 April, 2009 at 10:25 pm Comments Off

A BIT OF IT

I’ve been doing some editing of my ‘Nothing Rhymed’ story and just out of the goodness of me heart (?) I’ve decided to let you in into a bit of the doings. Here in this scene, Ed Davies has come to the conclusion the only way he can get things to rhyme again after his Mam’s death is to take a human life and he’s finally got someone where he wants them. Jennie Wren is the cat Ed shares his home with. Lance is his younger brother who he killed by pushing off a quarry twenty-two years before the events in this scene;

“Where’s. . .” She sat at the table, “Jennie Wren?”
“She’s asleep on me bed.” Edwin was scanning the room for something to use to kill Jeannie with. There was nothing he could see. He couldn’t do as he had with Lance, as there was nothing to push her off. And he couldn’t wait, he couldn’t wait til he got her away, to that quarry, or somewhere like it, and push her. There was something ahold of him, like he was on a track, something preordained to the whole thing. Waiting just could not happen. The whole thing was arranged and had to be done. He had the chance and had to take it, while he could. He had to consider a different method. Get her upstairs somehow and drown her in the bath. Get hold of her and force her face into the fire.
Jeannie said something and he was so engrossed in looking for a method that he didn’t take it in;
“What?”
“Oh I were just saying. Has Jennie enough food?”
“Oh yeah.”
“And I see you’ve always got enough tea in. I dun’ know. Do you grow the stuff in the back?”
“No, I think the weather int right. The atmosphere, you know. To grow tea plants.”
“I know. I was only kidding with you, Ed.”
“S all right.”
Then he saw it. The newspapers came in bundles and they were held together by a twine, a cord, and somehow he’d unwrapped the last lot and lay the cord on the small worktop in his kitchen. He glanced at her. Strangulation. Yes, it was quick and easy and wouldn’t use too much of his energy up. There would probably be too much of a struggle if he had to force her under water or into the fire. He didn’t want a struggle. He didn’t want to hurt her, put her through much stress or distress. He just wanted her dead. Anyone dead. And she was there.
And if Jeannie Brayshaw had known she would have shaken her head in shocked disbelief. After almost twenty years of being in love with a man, and all he thought of her as was a convenient victim to kill to change things for himself.
“I’ll just mek some tea.” He didn’t want to alert her or alarm her or make her suspicious. He picked the cord up in a single movement and then, chatting all the time, “tell you what, I think I will. . .”
“What? Will what?” She was sitting at the table, he could tell by her voice, the direction it was coming from. She hadn’t followed him into the kitchen, but then she didn’t. Left the tea making up to him.
“When we’ve done, I think I’ll do some shopping. For groceries and that. You know.”
“Good! I’m glad. We can go to a supermarket. They should be open.”
“Right.” He came up behind her and she turned her head to smile up at him, bright, happy and he kept his left hand, and the cord, out of her line of vision. He didn’t her to look at him, not now.
So he looked up to the picture rail, round the walls just below the flat ceiling. “What do you think o’ that?”
She looked to where he was looking.
“What?”
“Do you think I should do summat about. . .”
He took hold of each end of the cord in his hands as he talked, wrapped them round to give him a good grip, stood behind her and looped the cord around her neck in a quick movement, left hand whipping around her head to anchor it around her throat, like he’d been practising for decades, and then he pulled.
And pulled.
She fought. Gagged and kicked and struggled. The chair was knocked over and she came up, but whether it was him lifting her by her throat or her trying to get away he didn’t know. She clawed at the cord with both hands and he pulled and closed his eyes and pulled and pulled.
The sweat ran off him, down his temples and she carried on kicking and fighting, and then there was a terrific spasm of violence and it was as if she knew somehow there was nowhere she could go, nothing she could do, and she began to relax. Bit by bit. Then her gagging eased and her hands loosened and fell by her sides, dangling down, and he carried on pulling and pulling long after he’d managed to end the supply of oxygen to her brain and everything had closed down.
He pulled for a total of twelve minutes, though five would have been sufficient.
And then he let go with a great gasp, drawing air in like she’d tried to choke him, and fell back and she fell forward hard with a terrific thump and ended up half under the table, stretched out with her legs close to his, skirt hitched well up exposing her creamy knickers, hair covering her face.
He staggered for a moment, surprised at the amount of energy he’d expanded in killing her. And then, panting, went to sit down, feeling his way round the room like he’d lost his sight, and stumbling and falling into the chair where his Mam sat.
He sat for a long time, eyes closed, hands gripping onto the material of the chair arms, regaining his strength.
He was aware of a small sound over the thumping of his heart echoing in his head.
He opened his eyes and turned his head towards the sound and there watching him was Jennie Wren. She had made a tiny curious mewing sound, as if to ask what he was playing at. Sudden violent movements never happened in this new world where she was settled, and as she’d never been hurt she had no fear, but curiosity brought her down from where she was resting on Edwin’s bed, and she had been observing the whole thing for a moment before jumping up onto the sofa arm to the left of him and wondering what he was up to.
He saw her properly and then let out an explosive laugh, part relief, part humour.
“Ah Jennie, sweet Jennie, it’s all right.”
He sat a moment longer, then stood up. He looked at what he could see of Jeannie, just her legs and a bit of her hair, out from under the oblong of the table.
His own legs were trembling, and he was suddenly assailed with a violent, abnormal thirst which he slaked by getting a cup, filling it with water from the tap and drinking the whole thing down.
Then he went back to see what he’d done and what he could do next.
There was no sensation of fear, of being caught. They wouldn’t catch him because there was no need for them to suspect he’d done anything, because in his mind, he hadn’t. Not anything worth getting excited about. Not a police matter.
And yet here she was still, and of no more use.
He glanced to Jennie who was still watching.
“You know something, sweetest?” He asked her, “we have to do summat about this.”
His first thought was to somehow get her into the van and get her away. When it was late, or early, and not many people were around, at least not on the quiet street where he’d always lived.
But at the moment he was tired, and hungry, and something kicked in. Some sort of revival, and for the first time since his Mam’s death he began to plan ahead.

Published in: on 29 November, 2008 at 2:03 am Comments Off

IN CASE THERE IS ANY INTEREST LEFT+MORE IDEAS FOR COMPOSITIONS

In case you’ve been following my escapades vis a vis a potential move and you’re wondering why my tenancy time hasn’t run out where I am now and since my new place isn’t ready I’ve not been catapulted onto the streets, with the cats after me:
Well.
I was led to believe that my cats would be welcome. They won’t be. Not all of them. So I cancelled my end of tenancy agreement and I am stopping here.
There is no flippin’ way I am going anywhere without my babies, cause if they aren’t welcome, well the landlord can do without me tenanting his place.

Now, that’s out of the way; another story idea.
A young female lab assistant who works in a biology research lab, and has a strong imagination makes friends with an eccentric older male professor and after a while of getting to know one another, he admits that he has been working on illegal experiments, albeit in his own time and in the cellar/lab of his rambling home on the borders of Cheshire and Greater Manchester. They comprise of the mixing of various embryos to make new species (a hybrid of a budgie and a frog for example, with feathers and a wide beaked mouth). Fascinated the young assistant asks to see more; and then when he realises he can trust her, he introduces her to the ultimate experiment. A mixture the DNA of his beloved cat and a human embryo.
And the tentative, working title? Something along the lines of: MENDEL’S IMPOSSIBLE DREAM?

Published in: on 31 March, 2008 at 8:25 pm Comments Off

ME, AS IT IS NOW

. . .type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type,type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type type, type, type, type, type, type, type, type, type, type, type, type, type, type, type, type. . .

You get the idea.

Soon as I’ve finished, I’ll give you the details

Published in: on 27 March, 2008 at 9:33 pm Comments Off

POEM THEN IT’S TIME TO GO MY OWN (CREATIVE) WAY

The need to write more is like a living thing in me, howling along the corridors to be freed.
I am going to get on with the story I put to one side, put on hold for a while.
But first, a poem. It’s about life and it’s inevitable conclusion and I call it;

THE FUTILITY OF MAKING AN ISSUE OUT OF IT

Children breathe faster than old folk.
Babies breathe fastest of all.
But no matter if someone breathes fast or breathes slow
One day
they won’t breathe
at
all. . .

Nihilism’s easier going and less fashionable sister, existentialism, is looking more and more like an item of philosophy clothing that will fit my thought-body.

Published in: on 21 March, 2008 at 11:07 pm Comments Off

STILL IN THE IDEAS STAGE

A number of ideas for possible future compositions.

A female vampire and a male werewolf set up a detective agency together, using their special gifts to help and not harm.

A man wipes out his whole family with a gun and is found guilty but insane and locked up in a hospital for the criminally insane. An ordinary woman discovers a discrepancy in the tale, after reading a book on the matter years later. She wants to discover more, so tries to get into see the man, who a week later is found hanging in his cell. There was no reason for the suicide, the man being stable and quite content. Intrigued, the woman digs deeper. Was the man acting on some psychotic episode, or had his brain been interfered with by the authorities for purposes known only to them?

To make special effects (not CGI) the effects team have to make a surface a certain colour, and then add the desired material. Suppose a SFX belt is made that when a button is touched, can apply the necessary doings (maybe a coating of some material that can be seen and breathed through) and fool the human eye (which after all is a lens, like a camera) into believing the wearer is a different height or build or even sex or species. Or make them appear invisible?

To be honest, I have got that many stories lined up and they are being formed all the time, I might never get round to any of these. Still, there they are, just in case.

Published in: on 17 March, 2008 at 8:23 pm Comments Off

FROM THE REPOSITORY OF IMAGINATION

I wrote this a bit back, and now after a bit of altering, I present it to you; I call it;

A   C A S E   O F   T R A N S S P E C I E I S M

Tonight, we enter the world of the transspecie. These are creatures who believe they were born in the wrong species, and are another species who just inhabit the body of the species in which they were born. There are very few recorded incidents of transspecieism, but it is a true medical condition and has been acknowledged so by medical science.
Because of the nature of the condition, and beings attitude towards it, it has been difficult to uncover a true example, but after much searching we have managed to uncover the case of the cat who believes that inside she in, in fact, a dog.
Jessica is a perfectly formed and physically healthy cat, with all the known cat traits and responses, but ever since being a kitten, she suspected that she was different from her litter mates.
We managed to gain an interview with Jessica, which is not her real name, on conditions of strict anonymity. So, we are going to alter her appearance and her voice to save any persecution that might come her way if any hint of her real personality is let out.
JESSICA IS PHOTOGRAPHED IN BLURRY SHADOW, SO HEAVY THAT IT’S HARD TO TELL THAT SHE IS A CAT AT ALL. APART FROM THE SLIGHTLY STICKY UP EARS, SHE JUST IS A BLUR.

INTERVIEWER: now, could you tell us how long you suspected that you weren’t all you were meant to be?

JESSICA: (With voice electronically disguised and with all the emotions removed but with a noticeable Mancunian accent.): Well, ever since being a kitten. You know, at home with my family.

I: And what were the first signs that told you?

J: Well, I was born into a large and happy family. My Mother loved us and cared for us. My earliest memories were of laying alongside my Mother and playing with my brothers and sister. But then something happened that made me consider that maybe I wasn’t what I should be.

I: And what was that?

J: Well. . .I woke up one morning and there was another creature in the house.

I: You saw it?

J: No. . .not at first. . .I could smell it, you know, scent it, and my Mother was nervous and my brothers and sister were a bit tense then something odd happened.

I: And that was?

J: I could recognise the smell. . .well, not recognise, but it felt familiar. Right, you know, like? Like it was something that I’d always needed and that had been missing from my life.

I: And how old were you then, approximately?

J: About. . .dunno. . .four, five weeks old.

I: And how did you respond?

J: I went. . .I wanted to get closer to the scent and smell and find out who this was that made me feel like I belonged.

I: You never felt it before?

J: No. There were two legs walking about. You know, humans. They fed my Mother and were there but never interfered and well, it wasn’t that smell. Then the door opened.

I: To the room where you were?

J: Yeah. . .and this creature came in. . .snuffling and grunting and. . .it was like. . .well, my Mother wasn’t my Mother and this was closer to me that any relative I known so far.

I: And what did you do?

J: I went. . .to it. . .over to it. . .and tried to speak to it, and welcome it. I believe I called it ’sister’. Then my Mother got between us and swore violently at this creature and snatched me up, she gripped at the back of my neck to make me go limp, you know, to stop me struggling and lifted me up. Then a two legs arrived and removed it, this creature, this thing which was a dog and a sister and apparently one of the two legs owned it. Chuckles

I: What makes you laugh like that?

J: Well, owned it. . .like it’s possible for one being to own another. And yet. . .unlike my fellows I wasn’t upset or offended, I wasn’t naturally disgusted and. . .cats have a phrase, ‘turned off’ which means it’s something that is totally wrong and alien to cats. And I wasn’t turned off by the idea of being owned by a two legs, rather than just lodging with one till something better came along. It seemed right. . .instead of just lodging, being owned seemed natural to me.

I: How did you Mother respond?

J: At first she was relieved, you know, that the creature, the ‘enemy four-legs’ hadn’t harmed me. Then she gave me a good wash to get rid of the stink and my brothers and sisters came round to us and they started asking me what I was playing at, that that creature was an enemy on four legs, a deadly enemy, that everything it stood for was against everything we cats stood for, and there was me, going up to it, greeting it, and calling it ’sister’.

I: And what was your response?

J: I didn’t know what to say or how to respond or anything. I mean, how are you supposed to react when you feel more natural with someone who is a member of a species who is an enemy of yours? Or even if you feel you ARE a member of that species?

I: And then what happened?

J: Oh well. For a while I never even thought of it. Life was good. Contentment reigned. And then the day came when I went out for my first parade. That’s walk around, exploring, in cat talk. And this day I wandered off on my own.

I: How old were you?

J: About twelve, sixteen weeks. Still very young in my attitude also. Anyhow, I walked off and there was another one, another of the enemy, the four legged enemy. And. . .well, it was like a tugging feeling, in my heart. I wanted to go over to this enemy and lay down beside it and be with it.

I: What was it doing?

J: Oh, just hanging around, you know, how dogs do. Sniffing at something on the ground. So I went up to it and spoke to it and it turned and gave me such a look and then swore at me in it’s own language and ran at me. I ran and ran back to my gate and climbed up it and I was standing at the top of the gate and asking it why it was attacking me when I was the same as it.

I: And then what happened?

J: My Mum was there, and two of my brothers. And they were staring at me in absolute horror. And I got down and managed to convince ‘em it was all a joke. You know, mocking one of them. Well, when I think about it, when I say I managed to convince ‘em, it wasn’t my Mum I convinced. My brothers and sisters, they accepted it, because they behaved in the same way, mischievous, dog baiting. But my Mum kept looking at me and I knew that she knew.

I: She never mentioned anything?

J: No. What could she say? That she knew that her eldest daughter was in fact in heart and soul, a. . .dog.

I: You hesitated a long time before you said the ‘d’ word.

J: I know. Laughter. Even now, all these years later, I find it hard to admit that I am, inside, in reality, not what I seem to be. That I am a dog.

I: And then after this, what?

J: I was taken on by a two legs, a human, and this human was very loving and gentle towards me, let me sleep in her bed with her and never made me do anything I didn’t want to do. But yet although I felt loved and wanted, I never ever felt truly what I outwardly was, a cat.

I: You were saying about when you were with this loving two legs, although you had everything you could want, you felt a bit wrong, like inside the wrong body.

J: Yes, yes, that’s it, exactly. I was a cat outside but a dog inside. And this went on for a while. I felt hurt and rejected, forced to live a life of unhappy compromise. Dogs didn’t accept me because I was a cat outside and cats, well, cats could tell.

I: It must have been a very, lonely, frustrating time.

J: You can’t imagine. For ever such a long time, I felt neither one nor the other. Until I met Eric.

I: Eric?

J: One day, the human I share my life with came in and told me she had a surprise for me and she stood by and in came Eric.(Note:A pseudonym). A dog, a four legs, who wasn’t an enemy. He came into the house. A small, lean thing he was. Not much bigger than me. And he came over to me and it was so natural for us to greet one another with a kiss. And all that night we lay awake and talked about life, and discussed my problem and he explained it wasn’t a problem, it was a recognised condition called transspecieism. And it was like I was released from my prison and I could turn around and see myself for what I was, and I was no longer ashamed or confused.

I: And how is life now?

J: Me and Eric are still together and happy. Our human accepts us, is there when we need her, but mostly leaves us be.

I: What about the rest of your family?

J: I lost contact with ‘em after leaving. I still see a couple of my brothers, and my Mum from time to time. But we never really talk about anything, deep you know.

I: Never talk about feelings and preferences?

J: No, no, never. But, well, I’m happier with Eric than I ever could be with members of my own outward, kind.

I: That’s a lovely story, Jessica. Thank you.

J: Yeah, but not everyone is as happy as we are. There are hundreds of transspecieists out there, trapped and lonely, forced into relationships that are unnatural to them.

I: What advice would you give to those who suspect they have family members who are transspecieists?

J: Be kind with them. Understanding and gentle. It hurts them to know that they are not what they seem to be. Never insult them or drive them away. Accept. And of course, allow them to meet members of the species to which they really belong.

I: What about those who believe they are transspecieists?

J: Well, what you have to remember is there is always someone out there who you belong with. Never let anyone condemn you or criticise you or say you are going through a phase. There is someone for everyone and given enough time, and an understanding two legs, for we all have to rely on the vagaries of the two legs on this planet, we will meet someone, the right one for us. I was four, almost, when I met my Eric. I’m almost nine now, Eric’s a bit older, and we’re as happy as the day we first met. The wait was indeed worth it. And Eric agrees.

I: A lovely tale, Jessica.

J: May I add one more thing?

I: Of course.

J: This is for everyone, transspecieist or not. Remember that we are all species, and share this planet, and to make division amongst us because we are meant not to mix is wrong.

I: Thank very much, Jessica. Thank you for having the courage to be interviewed. And I hope that you and Eric are happy together for many years to come.

J: Thank you for allowing me to express my true self. Thank you from the both of us. Me and Eric, forever.

T H E E N D

 

Published in: on 17 February, 2008 at 6:43 pm Comments Off

FINALLY!

Is there any way you can make the capital letter headings of your post even more capital and standing-out like?
Cause I’ve finally done it, finished my latest tale, and I wanted the heading to reflect that. Because, I’ve had a devil of a job completing this one. You see, I always know how the tale is going to end (not exactly word-for-word but a rough outline of what the conclusion is going to be, what happens to what character, et al.). So I aim for it, and have to do a few twists and turns to get there, all the time not forcing my characters out-of-character and not making anything illogical happen and not relying on unexpected influences to make the journey complete.
Well, with this one I could see what I was aiming for, but could I reach it? It doesn’t happen that often, but when it does, well, it’s like being on an island and you can see the island you’re after in the distance and suddenly the bridge you want to throw across for some reason doesn’t fit properly. This time, though, I really thought I would have to break my own personal rule and go back and re-write some of the older, previous stuff, the doings, to make sense of where I was going to get to the ending I wanted to.
So, I took a breath and stepped out of the imaginary world I typed myself in, and had a drink of tea and let my mind relax so I wasn’t trying to hard and allowed myself to drift away from the subject and. . .Boom!
I knew exactly how to get there. The blockage was gone, the fog cleared, and the bridge was thrown across and it fitted and the connection was made.
Phew!
Sometimes, writing can be bloody hard work!
So I’ve done it, and I’m having a bit of time in reality. A drink of tea and a proper rest, to give me time and chance to come off edge and shake off the memories of the world where my tale took place, and the characters there, come down, stop living on my nerves so much.
Then begins the editing.

Published in: on 5 February, 2008 at 10:46 pm Comments Off

BEFORE MR PULLMAN, THERE WAS MR GARNER

If you get a chance, type the name Alan Garner into your search engine and click on go, and then see what comes up,and read at your leisure.

I’m only going to add that ‘Elidor’, read by the teacher in the final class of primary school when I was ten years old, provided me with an internal permission to carry on writing stories of my own, allowing me to get out of reality for a time, giving me one of the few happier memories that comes from a childhood as a misfit with a constantly acting-up disability.
I managed to get hold of a copy, reprinted recently, and it’s as good as I remember it, from thirty-four years back, so that’s why I’m mentioning it, and Mr Garner, now.
By the way, not only is ‘Elidor’ and almost everything he writes is set in and around places I remember well as a kid, but Mr Garner used the ideas of other worlds connected to ours with ways of getting through in unlikely places.
If this makes you think of Mr Pullman’s ‘His Dark Materials’ series*, you’re onto something, but remember Mr Garner was there first, and Mr Pullman is an admirer.

(As to my own present literary effort, I’m almost at the end of my latest tale, and then comes the editing. . .)

*The original trilogy has been added to in the form of ‘Lyra’s Oxford’ and there is another episode ‘One Upon A Time In The North’ due out on 3rd of April, so it’s no longer a trilogy, it’s a series.

Published in: on 26 January, 2008 at 3:03 am Comments Off

THE SONG TO END THE WEEKEND ON : ‘A LITTLE BITTY TEAR’ PLUS MORE PERSONAL STUFF

I dreamed that two little girls came over to me and told me of a child molester living in the same street (the street was a row of ordinary brick terraced houses for which Lancashire is famous, with front doors opening onto the pavement,but the windows and roofs and pavement and road were all crooked and broken, looked odd and crumbling) and I went into his house and got out his dogs and cat (all cruelly treated, by the way) and then set the house on fire with him in it and he burned to death.
This is the first really violent, challenging dream I’ve had for a while, It’s probably an extension of the story I’m writing now.
Talking more about my story, I’m entering the final furlong, have discovered a way to get to the pre-arranged ending and haven’t got much more to write to get there. Then I’ve got to start on the bloody editing. I hate having to rewrite stuff, and if I wasn’t writing for publication I wouldn’t subject myself to the hassle.
Having said that, a bit back I knew a woman who used to write stories and once edited a manuscript EIGHTEEN times! I remember thinking, and saying;
“And is there still any of the original plot left?”
She wasn’t impressed at all and told me in a defensive tone that if you didn’t edit, no publisher would look at your work but surely eighteen times is a bit much! Apparently, she gave up writing and has gone into business with a male to female transsexual, and last time I heard they had set up shop and were selling novelty stuff in a novelty town in the north end of Greater Manchester.
No, actually, she has a point. Writing for your own entertainment is brilliant, you can write any old rubbish and get away with it, but there are certain rules and things you have to take notice of if you want to get and keep the attention of a publisher. I did it with my other tales*, ‘Nothing Rhymed’ and ‘For Comfort In The Cold’,** and to be fair, it is fun once you get past the idea that you are trying to improve on perfection.(Again, all opinions are my own) Editing mostly consists of tidying up and putting into order the semi-wreck that comes out of your head, down your hands and onto the keyboard, to appear on the screen of your word processing programme. Or else, (and I’m talking about me personally) it wouldn’t be fit for anything. Also, you have a chance to add new thoughts and dialogues and generally make it more appealing to any perspective reader.
But you aren’t interested in the life-directing of an unacknowledged author, are you? This is what you want;
The song to end the weekend on this weekend is ‘A Little Bitty Tear‘ by Burl Ives (Ives, yeah!) A really sad song but I challenge you to resist singing along to the chorus in an upbeat way.
Anyhow,
As always,
A good week no matter if your own little bitty tear lets you down or you don’t give a flying horse.

*I have been writing as far back as I could, since I was first mature-capable of putting my thoughts on paper, my tools were a seven pence pen and an eleven pence notebook and I was forever scribbling, but only lately have I been in a position when I could save my work and use it to try and make money. Tons of writings have gone, lost forever, and there was a series of Christian stories which I had to close off and destroy because I am not a hypocrite, so I’ve only got a handful of tales that have survived to work on. But there is more, much more, where they came from.

**’For Comfort In The Cold’ is the latest name for ‘Because It Is Bitter’, the killer couple story from my ‘Because It Is Bitter’ triptych. I’ve decided to rename it to ‘For Comfort In The Cold’, a line from the poem ‘In The Dark Hour’ by the breathtakingly accomplished author Paul Dehn, and elevate the ‘Because It Is Bitter’ title for the triptych exclusively.

Published in: on 20 January, 2008 at 9:34 pm Comments Off

ADVICE FOR FILM FANS PLUS SOMETIMES YOU DO HAVE TO STOP

If you ever fancy picking up a copy of ‘Platoon’ on DVD, make sure you haven’t seen ‘Hot Shots’ and/or ‘Hot Shots part Deux’, first.
I watched the latter two films first and it ruined it for me; The harrowing tale of grunts fighting a ruthless, ideologically driven enemy in a place from from home was spoiled because I kept expecting Charlie Sheen to do something amusingly silly with a lightly surreal touch.

And me latest story is coming on well. I’m not giving any details, not yet, and if this posting is a bit odd and don’t make much sense it’s because the creative energy has effected me so I am all nerves and feel shattered like a damaged flask, intact outwardly and all broken glass inside, can hardly think due to fatigue due to almost three days of composing from before eight a.m. till four a.m. the following day, and when I finally get my head down am thinking up plots and dialogues all till I am forced to get up to add more.*
Finally, my mind and body are so fatigued, the energy levels are dangerous low, and they have rebelled and refuse to allow me to carry writing any more and soon as I’ve finished and posted this, I am going to fall gratefully into bed and hopefully get a full nights sleep, rest and give my low energy levels time to recharge and refresh this old machine body of mine.
Nighty night.

*You honestly are beyond assistance and have attained some profound, rare level of detachment from the human race when you are more involved in and care more about what happens to imaginary people, to the point of not being able to rest due to your concern, than you can about real people.

Published in: on 13 January, 2008 at 1:10 am Comments Off